Upper Austria in 1750. A fishpond reflects the overcast sky. A deep, dark forest swallows the sunlight. On a hilltop, the corpse of a hanged woman is displayed. As an example. A warning. An omen? The deeply religious and highly sensitive Agnes regards the dead woman with pity. But also with longing: she feels like a stranger in the world of her husband Wolf, whom she has just married. It is an emotionally cold world consisting of work, chores and expectations. Agnes increasingly withdraws into herself. Her internal prison becomes ever more oppressive, her melancholy more overwhelming. Soon, her only way out seems to be a shocking act of violence. Veronika Franz and Severin Fiala create a profound and disturbing psychological portrait of a woman made of flesh and bone, sinew and soul, played by Anja Plaschg who, as Soap & Skin, also composed the score. Des Teufels Bad gives a voice to the peasant women who were invisible and unheard at that time and depicts their harsh daily lives defin